Winter 1989, Vol. 38, No. 2
Articles
The Very Style of Faith: Frederick Buechner as Homilist and Essayist
CHRIS ANDERSON 7
"If it's a symbol, the hell with it": The Medieval Gothic Style of Flannery O'Connor in Everything That Rises Must Converge
JAMES ANDREAS 23
"A Sister, dipped in blood": Satiric Inversion of the Formation Techniques of Women Religious in Margaret Atwood's The Handmaid's Tale
ANNE K. KALER 43
The Metaphor that will not Perish: "The Dream of the Rood" and the New Hermeneutic
JOHN MARK JONES 63
Book Reviews
John Edward Hardy, The Fiction of Walker Percy
JOHN F. DESMOND 75
David R. Dickson, The Foundation of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne
EDWARD E. ERICSON 76
Jill Baumgaertner, Flannery O'Connor: A Proper Scaring
KATHLEEN FEELEY, SSND 78
Ruth apRoberts, The Ancient Dialect: Thomas Carlyle and Comparative Religion
G.G. HARPER 79
Rivkah Zim, English Metrical Psalms: Poetry as Praise and Prayer, 1535-1601
NOEL J. KINNAMON 81
C.N. Manlove, C.S. Lewis: His Literary Achievement
PETER J. SCHAKEL 82
Peter H. Marshall, William Godwin
ROBERT LANCE SNYDER 84
Beatrice Batson, John Bunyan's "Grace Abounding" and "The Pilgrim's Progress": An Overview of Literary Studies 1960-1987
SARA VAN DEN BERG 86
Mark Taylor, Altarity
MICHAEL VANDER WEELE 88
Ted R. Spivey, Beyond Modernism: Toward A New Myth Criticsm
SUE WIENHORST 90
Poetry
There is no god in heaven who
WILLIAM FANNING 22
Midnight Sun
THARIN WILLIAMSON 42
The Guard
DONALD T. WILLIAMS 73
jesu
WILLIAM FANNING 74
The Nude as Sarai's Maid 92
The Nude in Bed with Lights 93
JAMES BARFOOT
Afterwards
THARIN WILLIAMSON 94